-------- Forwarded Message -------- Subject: [WI] CfP: 3rd Workshop on Humanities in the Semantic Web - WHiSe 2020 Date: Wed, 12 Feb 2020 18:31:30 +0000 From: Alessandro Adamou alessandro.adamou@insight-centre.org Reply-To: Alessandro Adamou alessandro.adamou@insight-centre.org To: wi@lists.kit.edu

with apologies for multiple postings.

Please consider contributing to this workshop co-located with ESWC 2020 - Deadline for submission is Feb 28.

==== Call for Papers (WHiSe 2020) ==== 3rd Workshop on Humanities in the Semantic Web - WHiSe

Date: May 31 or June 1, 2020 (to be decided) Venue: Heraklion, Crete, Greece (co-located with ESWC 2020) Hashtag: #whise2020 Twitter: @whiseworkshop Email:whise2020@easychair.org Site:http://whise.cc/2020/

Workshop chairs: - Alessandro Adamou - Data Science Institute, NUI Galway, Ireland - Enrico Daga - The Open University, UK - Albert Meroño-Peñuela - Vrije Universiteit Amsterdam, The Netherlands

# DESCRIPTION

The emergence of affordable computational methods for the collection, enhancement and analysis of data generated en masse has helped shape several fields, such as social sciences, into structured research fields. Digital Humanities are enjoying such a transformation to the point that their very boundaries and methodological foundations are being called into question. The quality and relevance of findings obtained from the thorough, human-driven analysis of a few sources, compared to unsupervised large-scale analytics on masses of data, is a fervent ongoing debate; and yet, the latter cannot prescind from a conscious effort in shaping the world to which the analyses need to relate. This has largely taken the form of knowledge modelling efforts, from which many ontologies, controlled vocabularies and conceptual models like CIDOC-CRM, the Europeana Data Model and FRBRoo have arisen. However, other fields traditionally less reliant on machine-readable data have seen the emergence of ‘ecological’ communities with an approach to the Web of Data. Recent examples include Transforming Musicology for music and musicology and Linked Pasts for history and archaeology.

The WHiSe workshop series was conceived from a reflection on the extent to which the Semantic Web community is serving the needs of historians, philologists, cultural critics, musicologists and other humanists that generally:

(1) cannot always rely on masses of structured data; (2) deal with vague, fragmentary, uncertain, contradictory and yet still valuable evidence that poses a challenge even to Artificial Intelligence research per se; (3) have good reason to value the systematic investigation of a few sources but intend to push the boundaries by exploring the potential of automated analytical findings on masses of content. WHiSe also probes for interest in genuinely new Semantic Web research questions inspired by processes in Digital Humanities. It addresses both aspects by promoting dialogue between humanists who employ or are contemplating semantic technologies, and Semantic Web scholars providing accounts of applied research in the Humanities.

WHiSe 2020 welcomes original research contributions crossing Humanities and the Semantic Web. Scholars who have conducted research or developed impactful applications are invited to submit full papers with appropriately evaluated contributions. WHiSe also welcomes vision/position papers on novel challenges or approaches to existing problems as well as demos and preliminary results (short papers). Topics on which potential submitters are invited to contribute include, but are not limited to:

Construction and use of Humanities Knowledge Graphs Knowledge base generation from classical texts Linking data within and across gazetteers Semantic enrichment of data from historical records and biographies Ecosystems, infrastructures and process descriptions for linking data in the Humanities Linked Digital Libraries and semantic archives Semantic search in humanities data Social semantics and network analysis of humanities data Ontology adoption in specific domains in the Humanities Computational methods for the prosopography of historical figures Capturing, modelling and reasoning on musical data The role of ontologies and controlled vocabularies in data preservation Contribution of Linked Data to the successful application of machine learning and deep learning methods in Digital Humanities Criticism of Semantic Web standards from the point of view of humanities scholarship Knowledge bottlenecks, practical difficulties and usability of Linked Data and Knowledge technologies by cultural institutions and Humanities scholars Ethical issues in using Semantic Web and Linked Data Utopic / dystopic visions of the Semantic Web of the future Submissions in all the categories mentioned above (full and short papers) will be peer-reviewed by acknowledged researchers familiar with both scientific communities. Accepted papers will be published as online proceedings courtesy of CEUR-WS.org.

# IMPORTANT DATES

Submission deadline: February 28, 2020 Notification to authors: March 27, 2020 Camera-ready due on: April 10, 2020 Workshop day: May 31 or June 1, 2020 (to be decided)

# SUBMISSION INSTRUCTIONS

We welcome the following types of contributions:

- Full papers (up to 12 pages) - Short papers (up to 6 pages)

All papers will be evaluated according to their significance, originality, technical content, style, clarity, and relevance to the workshop. Short papers may report preliminary results, demos, or discuss a novel problem relevant to the community. Authors of accepted short papers may be required to present their work as a poster.

Every submitted paper must represent original and unpublished work: it must not be under review or accepted elsewhere and there must be a significantly clear element of novelty distinguishing a submitted paper from any other prior publication or current submission.

All submissions must be PDF documents written in English and formatted according to LNCS instructions for authorshttp://www.springer.com/computer/lncs?SGWID=0-164-6-793341-0). Page limits are inclusive of references and appendices, if any. Papers are to be submitted through the Easychair Conference Management System (https://easychair.org/conferences/?conf=whise2020). Please note that paper submissions to WHiSe are not anonymous.

At least one author of each accepted paper must register for the workshop, in order to present the paper there, and to the conference. For further instructions please refer to the ESWC 2020 page (http://2020.eswc-conferences.org/).

# PROGRAM COMMITTEE

Elton Barker, The Open University Daniel Bangert, Göttingen State and University Library Francesca Benatti, The Open University Gabriel Bodard, School of Advanced Study, University of London Victor de Boer, Vrije Universiteit Amsterdam Rossana Damiano, Marilena Daquino, Alma Mater Studiorum Università di Bologna Ethan Gruber, American Numismatic Society Eero Hyvönen, University of Helsinki (HELDIG) and Aalto University Antoine Isaac, Europeana Francesco Mambrini, Università Cattolica John McCrae, National University of Ireland Galway Paul Mulholland, The Open University Patricia Murrieta-Flores, Lancaster University Kevin Page, University of Oxford Silvio Peroni, Alma Mater Studiorum Università di Bologna Davide Picca, University of Lausanne Robert Sanderson, J. Paul Getty Trust Rainer Simon, Austrian Institute of Technology Francesca Tomasi, Alma Mater Studiorum Università di Bologna François Vignale, Université du Maine

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