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AVI-CH 22 the 4th workshop on Advanced Visual Interfaces for
Cultural
Heritage
http://avi2ch-22.di.unito.it/
The rapid development of ICT and the Internet has enabled CH
institutions to
provide access to their collections in multiple various ways, both
on-site
and online, and to attract even wider audiences than those that
visit the
physical museums. In parallel and part of the above, there is an
enormous
growth in user interfaces and in information visualization
technologies. The
range of interfaces is growing by the day - from tiny smart watch
screens to
wall-size large public displays.
Regarding virtual advanced interfaces, there are several
successful
examples, for instance, applications of 3D technologies for
virtual museums.
The use of (web) 3D in cultural heritage promotion allows the
public to live
immersive experiences in virtual, reconstructed locations, like
ancient
towns and locations, and to visit existent, but remotely located
locations,
such as world-wide cultural institutions (such as Google Art
Project). For
preservation purposes, web 3D provides scholars and cultural
heritage
professionals with a way to consult and maintain visual
repositories of real
exhibits, with the possibility of visualizing, comparing, and
studying 3D
digital equivalents of real artworks physically situated in
different
locations.
Cultural heritage is one challenging domain of application for
such novel
ICT technology. CH is ubiquitous. There is abundance of CH related
information available, about almost every object we can think of.
How can we
access and enjoy this information in Ubiquitous Computing
scenario?
Advanced and natural human-computer interaction is a key factor in
enabling
access to cultural heritage. Visual interfaces, whether they are
tiny mobile
screens or large wall mounted displays, can all be part of a
ubiquitous CH
infrastructure, where information can be personalized and
displayed/projected, on screens or overlaid on real objects and
advanced
form of interaction could be experimented with (i.e., gestural
interaction,
augmented interaction, vocal interaction, social robotics, etc.).
Following the wealth of studies and publications in recent years
focusing on
exploring the potential of novel technology to enhance CH
experience, the
success of AVI-CH 2016 (that yielded a follow-up special issue
focused on
advances visual interfaces for cultural heritage) and AVI-CH
2018/2020, the
goal of the workshop is again to bring together researchers and
practitioners interested in exploring the potential of state of
the art,
advanced visual interfaces in enhancing our daily cultural
heritage
experience.
Topics: Any work which is relevant to AVI 2022 general list of
topics that
is being applied in cultural heritage is relevant to the workshop.
Specific
topics of interest, when applied to cultural heritage are:
o Adaptive and Context-Aware Interfaces
o Personalized User Interfaces
o Information Visualization
o Interface Metaphors
o Interfaces for e-Culture and e-Tourism
o Mobile Interaction
o Multimodal Interfaces (Voice-based interaction, Brain Computer
Interaction, etc.)
o Augmented reality
o (Multi) Sensory Interfaces
o (Multi) Touch Interaction
o Natural Interaction (gestural and touchless interaction,
interaction with
IoT, etc)
o User Interfaces for the Internet of Things
o Virtual Reality
o Head-Mounted Displays
o Conversational Interfaces
o Human-Robot Interaction
o AVI for CH in the era of COVID 19 (virtual tours, remote
attendance etc)
For paper format and submission, please see the AVI 2022 main
conference
site.
(All submissions must be formatted according to the ACM SIG
format:
* LaTeX through Overleaf: SIGCONF template
https://www.overleaf.com/latex/templates/association-for-computing-machinery
-acm-sig-proceedings-template/bmvfhcdnxfty
<
https://www.google.com/url?q=https%3A%2F%2Fwww.overleaf.com%2Flatex%2Ftempl
ates%2Fassociation-for-computing-machinery-acm-sig-proceedings-template%2Fbm
vfhcdnxfty&sa=D&sntz=1&usg=AFQjCNH9E9ycWMKCwoFop9S-ac11ZVGyCg>
* Word:
https://www.acm.org/publications/proceedings-template
<
https://www.google.com/url?q=https%3A%2F%2Fwww.acm.org%2Fpublications%2Fpro
ceedings-template&sa=D&sntz=1&usg=AFQjCNEv1V48MxxgwbqrsKj68N-kp3yc7g>
,
Interim Template)
Important dates
Paper submission: April 4th
Notification to authors: April 27th
Camera ready: May 8th
Workshop day: June 6th
Organizers
Angela Antoniou, University of West Attica, Greece
(
angelant@uniwa.gr
<mailto:angelant@uniwa.gr> )
Berardina (Nadja) De-Carolis, University of Bari, Italy
(
berardina.decarolis@uniba.it
<mailto:berardina.decarolis@uniba.it> )
Cristina Gena, University of Torino, Italy (
cristina.gena@unito.it
<mailto:cristina.gena@unito.it> )
Tsvi Kuflik, The University of Haifa, Israel
(
tsvikak@is.haifa.ac.il
<mailto:tsvikak@is.haifa.ac.il> )
Antonio Origlia, University of Napoli Federico II, Italy
(
antonio.origlia@unina.it <mailto:antonio.origlia@unina.it>
)
George Raptis, University of Patras, Greece (
raptisg@upnet.gr
<mailto:raptisg@upnet.gr> )
Tsvika
Tsvi Kuflik, PhD.
Professor of Information Systems
Co-chair of the Digital Humanities BSc program,
Information Systems department,
The University of Haifa
Email:
<mailto:tsvikak@is.haifa.ac.il>
tsvikak@is.haifa.ac.il
Home page:
<https://tsvikak.hevra.haifa.ac.il>
https://tsvikak.hevra.haifa.ac.il
Tel: +972 4 8288511
Fax: +972 4 8288283